I can see how some might have reservations about this one, but I personally take the view that Viper is simply a man who understands his audience. Big Tits 4 U Errday seems to be part of a mammary themed cycle of releases, others in the series including Suck Her Tits and Luv Dem Big Milky Tits. Without wishing to seem like some beardy hipster whose tastes are limited to whatever you've never heard of, you can probably be forgiven for being unfamiliar with these works on the grounds that no-one seems to actually know how many albums Viper has issued beyond that it's been literally thousands in the last decade, albeit as downloads. Apparently his back catalogue is therefore mostly remixes or chopped and screwed variations on a theme, but for what it's worth, this is the third I've bought at random, and there are only three tracks I recognise, or at least which appear to sample material I've already heard; and against all odds, Big Tits 4 U Errday is every bit good as You'll Cowards Don't Even Smoke Crack and Kill Urself My Man.
Viper's sound is pretty startling when you first hear it. Wikipedia defines it as cloud rap, so I looked up cloud rap but the first sentence of the article referred to cLOUDEAD so I didn't bother reading the rest.
Let's try again.
Viper's sound owes a lot to the quarter speed cough medicine beats of DJ Screw and the like, but otherwise follows its own rules. It's hypnotic like vapourwave and sounds as though it was recorded on some cheap hunk of shit which probably cost about fifteen dollars. At first it sounds like an accident, hence the dubious classification of Viper as an outsider artist, but the more you listen, the harder it is to deny his power. Viper's baritone mumble, sounding as though it was recorded over messenger on a dial-up internet connection, slows to a crawl with percussion reduced to a distant ticking and a bass so distorted that it crumbles into digital slurry and genuinely leaves the cut resembling a dreamier version of something from one of those early Nocturnal Emissions albums, or even My Bloody Valentine transposed to Texas. It shouldn't work, but having now heard three albums of this stuff, I'm forced to conclude that it's no accident and that this guy is a visionary by some definition, at least musically.
Lyrically he's maybe a little basic compared to, off the top of my head, Nas, but nevertheless cuts what is very much his own furrow. For a collection named after boobs and sporting a picture of the same on the cover - or on the associated illustration seeing as this is download only - Viper is unusually respectful regarding women, and we find neither hoes nor bitches on this album so far as I noticed.
Girls love me 'cause I'm so real,
'Cause I'm laid back, 'cause I'm so chill.
Sharing they emotions and how they really feel,
That's why, with me, they make life-long deals.
I appreciate it probably isn't the full Andrea Dworkin, but it's nevertheless a long way from Bitches Ain't Shit. The same easy-going and strangely amiable vibe informs the entire album, meaning that regardless of whether he's trying to sell us crack or otherwise telling us how amazing he is, it's really difficult to dislike Viper. He somehow manages to peddle this schtick while seeming like a nice guy, or at least like it's not anything personal. You'll doubtless be disappointed if you're expecting A Tribe Called Quest, and I suppose it's kind of annoying how the titles bear no resemblance to the tracks they describe (and there aren't any songs about tits either), but this cranky underground weirdo keeps putting out albums which are better than anything by most of the big names. Don't be mislead by the je ne sais Sunday Sport ambience of the title, Big Tits 4 U Errday is a powerfully beautiful piece of work.
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