Wednesday, 15 March 2017

Mudhoney - Superfuzz Bigmuff (1988)

The only reason for my failing to have nabbed this when it came out nearly thirty years ago that I've been able to come up with is that I was never a tool who based my record buying habits on whether or not a band was from Seattle and might thus be friends with that hunky Kurt with his dreamy blue eyes; plus it's not like I was short of stuff I wanted to buy that year. Mudhoney sounded like they might be the kind of thing I liked, not least because almost everything I played in the Dovers - the band of which I was a member at the time - was played through the same Electro-Harmonix pedal after which this was named, or at least after which the original six-track EP was named. This version also includes the preceding singles.

Still, better late than never seeing as this turned up in my usual store and there didn't seem like any good reason to not buy it. Nothing really stands out for the first couple of plays, but it quickly gains ground third or fourth time around. Mudhoney, as I now appreciate, were pretty much a slightly hairy garage punk band in the general vein of Iggy & the Stooges, wild but tuneful, and sounding very much like they'd be a blast live. The fact of their having been fans of Billy Childish isn't difficult to understand. In fact - if you'll pardon the supreme wankiness of such a digression, dear reader - they kind of remind me of the aforementioned Dovers, which is curious. I suppose we should have capitalised on having occasionally stood in the same room as Billy Childish, but never mind.

Providing they haven't turned into Supertramp in the intervening years without my knowing - which is possible given that I've only just realised they had albums other than this one - Mudhoney lacked the musical sophistication of Seattle favourites Tad, who I suppose might be characterised as a concrete mixer rendering expertly played Led Zeppelin covers; but on the other hand they sound a shitload more fun than Nirvana ever did, and I realise that view is probably mainly just me and no-one else. It's self-loathing and booze through a fuzz pedal cranked up far too loud, and yet you can sort of tell it wants you to have an air-punchingly good time; so there are none of those songs about only wanting cool people at their shows. I really wish I'd bought this at the time instead of that shitty Revolting Cocks record.

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