Kurt Schwitters was an artist associated with Dada and Surrealist art movements, but mainly Dada. His best known work mostly comprised collages of found objects - bus timetables, scraps of newspaper and so on - and of all the Dadaists, he seems a strong candidate for the one who best tapped into the appeal of random images and juxtapositions, the way our eyes might fixate on a particularly interesting pattern caused by damp on the ceiling. Certainly he seems to be the one whose work has remained an enduring influence on everyone from Billy Childish to Nurse With Wound; and it turns out that he lived in England for a while, which I didn't even realise. He lived in Cumbria, specifically the town of Ambleside, and whilst there he turned a local barn into art. This barn is now known as the Merz Barn and, as the name probably implies, MERZfunder is a compilation aimed at raising money so as to ensure that the thing is preserved for the benefit of future generations. I guess England probably doesn't really have money to spare right now, especially not for art, the province of the liberal media elite, homosexuals, and people who don't like football.
This seems worth supporting, I said to myself, even though I don't ordinarily do downloads. The Shend from the Cravats is on there, and it features 114 songs by all sorts, so I envisioned something in the vein of the Residents' Commercial Album or Morgan Fisher's Miniatures compilation. I realised I was mistaken in at least one respect when the thing took over an hour to download. As stated MERZfunder features 114 individual pieces of music, but of course being associated with no physical format, it's under no obligation to keep it snappy. There are a couple of tracks of at least twenty minutes duration, and plenty of around ten - all adding up to nearly eleven hours of music.
Needless to say, reviewing this as I might review the latest collection of Miley Cyrus hits could take years being as I've thus far only listened to the thing all the way through once - albeit over successive weeks, so I'll stick to just the facts embellished with comments where I feel qualified to offer them. Contributors I've heard of include the Astronauts, M.Nomized, Band of Holy Joy, the aforementioned Shend, Security, Hagar the Womb, Neil Campbell, Rapoon, and Nik Turner whom older boys and girls may remember as having had something to do with Hawkwind. I've actually only heard of Security because I used to be in a band with one of them, although I've also had intercourse with both the Shend and Neil Campbell - not sexual intercourse, obviously; so this is one of those reviews of something featuring blokes I know, but given that the contributor credits for this thing probably account for a decent percentage of the current human population, you probably know someone with a track on this collection too, dear reader, statistically speaking; and accordingly MERZfunder features every single style of music ever, more or less.
As you might expect, there's Dadaism aplenty in myriad forms - everything from the sound of marbles chucked at a dustbin into which someone is doing a poo, to peculiar songs written by aspiring Martians. There's punk, free jazz, reggae, trad jazz, easy listening, ambient, just plain strange, and everything in between. Numbers which have impressed me enough to mention them here include Woefully Tired by Pampered Fists, the Shend's Pixie Denial, In the Here and Now by Deviant Amps, and the Staggs track which forges techno with a sample of Jon Inman saying I'm free! I feel fairly confident that the other hundred tracks are probably also decent on the grounds that I don't recall skipping any during my first marathon month's worth of listening. Another year might pass before I've heard MERZfunder all the way through more than twice, but in the meantime the sheer scale and range of the thing becomes a quality in its own right, almost amounting to pins stuck in random lists of names by virtue of how long it will take for this thing to achieve familiarity. I'm sure Schwitters would have approved.